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By admin, January 6, 2012 11:53 am

Movie: The Descendants
Release Date: 23 November 2011 (USA)
Directors: Alexander Payne
Writers: Alexander Payne (screenplay), Nat Faxon (screenplay)
Genres:Comedy | Drama
The Descendants is an upcoming film directed by Alexander Payne. The film stars George Clooney, Judy Greer, Matthew Lillard and Shailene Woodley and is planned for release in the United States on December 16, 2011.With his wife Elizabeth on life support after a boating accident, Hawaiian land baron Matt King (Clooney), takes his daughters on a trip from Oahu to Kauai to confront the young real estate broker (Lillard) who was having an affair with Elizabeth before her misfortune.
A land baron tries to re-connect with his two daughters after his wife slips into a coma following a boating accident. He later has to reconcile his lifestyle with his desires when he discovers that his wife had been having an affair prior to the accident. Based on the novel by Kaui Hart Hemmings.The film began its on-location shoot in Hawaii on March 15, 2010. Post-production began on June 14, and continued into February 2011. The film will be released on December 16, 2011.
The Descendents are an American punk rock band from Hermosa Beach, California. As of 2010, they have released six studio albums, three live albums, three compilation albums and three EPs. The Descendents broke up and reformed several times over the years, sometimes with different musicians. The band’s current lineup is singer Milo Aukerman, guitarist Stephen Egerton, bassist Karl Alvarez and drummer Bill Stevenson.
he Descendents were formed in 1978 by guitarist Frank Navetta, bassist Tony Lombardo and drummer Bill Stevenson. Their first release–the only one with this lineup–was the new wavish single “Ride the Wild”/”It’s a Hectic World”.
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In 1980 they enlisted Stevenson’s old schoolfriend Milo Aukerman as a singer, and reappeared as a punk band, becoming a major player in the hardcore scene developing in Los Angeles at the time. Their first release with Aukerman, 1981′s Fat EP, was a furious six-minute barrage of angst and humour, featuring such songs as “My Dad Sucks” and the eleven-second “Weinerschnitzel”.
Their debut album the following year, Milo Goes to College, was more melodic than many other hardcore records of the time. They sang about being (and wanting to be) rejected (“I’m Not A Loser”, “I Wanna Be A Bear”, “Parents”), girls (“Hope”, “Myage”, “Marriage”, “Kabuki Girl”), fishing (“Catalina”), and other emotionally sensitive subjects. Songwriting was shared among the band members.
Milo Aukerman really was off to college, embarking on an education that would take him as far as a doctorate in biochemistry, while Bill Stevenson became the drummer for Black Flag. The Descendents did not record again until 1985 with the album I Don’t Want to Grow Up. Much of the song-writing on this LP was much more sensitive than the band’s earlier records, despite being peppered by songs such as “Pervert” and “No FB”.
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The band’s lineup changed during the recording of I Don’t Want to Grow Up. Navetta departed to become a fisherman in Oregon, and Lombardo left because touring was incompatible with his career as a postal carrier. Ray Cooper, who had originally replaced Milo as vocalist, then replaced Navetta on guitar upon Milo’s return, and Doug Carrion (formerly of ANTI) replaced Lombardo on bass
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Enjoy!, their next album (released in 1986) was not well received by critics. It was a mix of silly songs (“Enjoy”, “Kids”, “Orgofart”, etc.), and emotional, mature songs such as “Get The Time” and a cover of “Wendy” by the Beach Boys. The band even experimented with thrash metal on “Hürtin’ Crüe”.
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By admin, December 27, 2011 10:19 am

Scream 4
It’s dark. There are no lights in the house, and something’s creaking from just beyond the basement. You grab a knife and make your way down the hallway, but before you can investigate the noise…
SCREAM!
It’s a scenario that’s plagued the nightmares of an entire generation. Originally a one-time slasher flick, the Scream movies have morphed into a franchise as infamous as it is terrifying. There are games, rides, mens Halloween costumes, even haunted houses based around the scares within its universe. One look at the killer Ghostface and audiences are instantly brought back to the dread they felt the first time he held up a knife – even if it was over a decade ago.
Scream 4 takes advantage of this fear. Set ten years after the original film, it stars Neve Campbell as the now-grown Sidney Prescott, returning to the town that changed her life forever. Of course, nothing is ever that simple.
Because Ghostface is back too.
If you’re looking for mens Halloween costumes, Ghostface is one of the classics. A strange, ghastly figure, he makes for chilling visions and even better Halloween outfits. Because what horror movie icon is more famous than his face? What other boogieman employs something as terrifying – as iconic – as a mask that will literally make you scream?
A Scream costume is simple, effective, and time-tested to be frightening. Other killers have faded into obscurity; Sidney Prescotts have come and gone. Ghostface is something different all together. Not only does he make for great Halloween outfits, but he’s legitimately scary, a creature that doesn’t rely on gimmicks or screechy music to frighten his victims. When Ghostface makes an entrance, you know someone’s about to die.
When Ghostface is coming for you, you know it.
The right Scream costume will also inspire nostalgia as well as terror. Everyone remembers the original trilogy, after all – and the new visions from Scream 4 are even bigger and better than their predecessors. Halloween outfits are just the beginning. There are things in Scream 4 that will prey on your darkest fears in a way few movies ever have.
Why wouldn’t you want a Scream costume to reflect that on the scariest night of the year?
Make your face a Ghostface and you’ll never to worry about trick-or-treaters again. One look at your mask and it will trigger long-held memories of a different time – a time when all it took was a phone call to stiffen your spine and change your nightmares forever.
If you’re looking for great mens Halloween costumes, try something from Scream 4.
Just make sure you sleep with the lights on.

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By admin, December 26, 2011 10:43 am

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By admin, December 21, 2011 10:16 am

The Autobiography of Nicolae Ceau?escu is a vast methodical fragment, spanning 25 years of Romanian ideological dictatorship. Assembled form thousands of hours of archival footage this 3 hour pseudo-documentary is as impressive as it is mundane to the contextually unaware.
Impeccably maintained newsreel footage mixes with consumer hand-held documentation and protocol congress recordings to create an absorbing narrative of Ceau?escu’s rule. The construction contains no narration of any kind; original audio recordings and the occasional produced audio cue lead the audience through a personal recollection of the titular leader. Watching the footage leads to an understanding of the man unobtainable in historical texts, a manufactured autobiography that shows more pomp than trepidation.
Context is a tough thing to come by without narration. With 25 odd years to cover the film briskly moves through time, our only hints of epoch the occasional foreign administrator or political speech. Newsreels don’t have the privilege of going behind the ceremony very often, the lack of which leaves a loss of political action; the rallies, and parades a show of socialist support lacking in details.
A magnificent accomplishment in terms of editing, the unanimous use of archival footage brings an immediacy missing from other historical document. As recording devices become more prevalent the repository for historical fiction will grow and I can only hope we see more filmmakers with this type of ambition creating new forms of documentary.
The Autobiography of Nicolae Ceau?escu, which had its world premiere at Cannes last month and will be turning up at other film festivals this fall, is an example of what the radical Soviet documentarian Dziga Vertov called a “film object.” Watch The Autobiography of Nicolae Ceausescu Movie Online
Culled from a thousand hours of archival footage and four years in the making, this unconventional documentary assembled by the émigré Romanian film-essayist Andrei Ujic? is a three-hour immersion in a totalitarian leader’s official reality. Ceau?escu’s Romania, the Eastern bloc’s most brutally destructive regime, is remembered for its systematic repression, its failed industrialization, and its pervasive police state–including a disastrous ban on contraception that produced a culture of clandestine abortions and horrific orphanages. None of this appears explicitly in the film. Instead, Ujic? shows Ceau?escu’s public image as fabricated by (and for) the dictator himself during the course of his catastrophic 25-year reign.
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Much of the material was shot without sound–only the speeches included an audio component–and Ujic? shows the footage largely as found, often in the form of unedited rushes, in Romania’s National Film and National Television archives. There’s neither annotation nor voiceover commentary, although the filmmaker does intermittently add naturalistic sound effects–and, at one point, a slyly-chosen pop song, so that a gaggle of fashionable young Romanians can be seen dancing the Twist to the 1965 rockabilly hit “I Fought the Law and the Law Won.”
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By admin, December 20, 2011 10:33 am

Our Idiot Brother is a 2011 film directed by Jesse Peretz and starring Paul Rudd, Elizabeth Banks, Zooey Deschanel, and Emily Mortimer. The script was written by Evegenia Peretz and David Schisgall based on Jesse and Evgenia Peretz’s story, and tells of an idealistic man who intrudes and wreaks havoc in each of his three sisters’ lives.
The film was co-produced by Anthony Bregman, Peter Saraf and Marc Turtletaub, and came into production unusually quickly for an independent film; principal photography had ended less than four months after the script was picked up by the producers. Filming took place over six weeks, primarily in various parts of New York City. The film premiered at the 2011 Sundance Film Festival and is scheduled for a theatrical release in 2011.
Ned (Rudd) is a well-meaning idealist who has just been released from prison for dealing marijuana. In succession, he disrupts the lives and homes of his three sisters: career-driven Miranda (Banks), who is about to get her big break in journalism; hipster Natalie (Deschanel), whose lies are preventing her from moving forward with her responsible girlfriend Cindy (Rashida Jones); and Liz (Mortimer), who is too concerned with being the perfect mother to notice that her marriage is falling apart.
The story of Our Idiot Brother was conceived by Jesse Peretz and his sister Evgenia, who had written a screenplay together before but were unable to finance the project. They greatly enjoyed working together though, so they decided to draft another story, this time “a bit more commercial” and with characters in their 30s.
They planned to cast actors with whom Peretz was already friends, and created the main character with Paul Rudd in mind. The script itself was written by Evgenia Peretz and her husband David Schisgall, and was completed by December 2009 under the original title of My Idiot Brother.
Peretz brought the script to producer Anthony Bregman, with whom he had worked on the 2007 film The Ex. According to Bregman, “I was always looking for something to do with him [Peretz] and he came to me with this script. It was fantastic.” Bregman was familiar with producers Peter Saraf and Marc Turtletaub and had previously attempted to collaborate with the two. He sent them the script in April 2010 and Saraf said that he “loved it and was eager to work with both of them [Bregman and Peretz]. Watch Our Idiot Brother Movie Online
The film was co-financed by Bregman’s production company Likely Story and Saraf and Turtletaub’s company Big Beach, with a budget of less than US$10 millionhe development of the project was unusually fast for an independent film; Bregman remarked in September 2010, “We worked on it for a few months and then it came together really quickly for the world of independent film. We will have a cut of the film less than a year after we saw this script
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Saraf too said that “This movie will set a record for how quickly it came together: from the time I first read the script to the time we wrapped the shoot was four monthsPaul Rudd signed on to play the lead role even before Saraf and Turtletaub had picked up the film. The principal cast was announced in early June, including the roles played by Rudd, Elizabeth Banks, Emily Mortimer, Zooey Deschanel and Rashida Jones. Additional cast members including Hugh Dancy, Kathryn Hahn, Shirley Knight, Janet Montgomery
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By admin, November 22, 2011 1:54 pm

Movie: Amigo
Release Date: 20 August 2011 (USA)
Directors: John Sayles
Writers: John Sayles
Genres: Drama | War
A fictional account of events during the Philippine-American War. John Sayles is the heart and soul of independent liberal filmmaking in the U.S. and he has triumphed once again with this small scale historical drama. Impeccably cast and masterfully written, Sayles only disappoints with his budgetary mandated use of digital cinematography. The sharp bright images of the film make one long for the warm celluloid grain of his frequent camerman Haskell Wexler. The Philippine/American War has hardly been touched by Hollywood except for THE REAL GLORY (1939), a flag waving whitewash of a controversial foreign incursion. Sayles is here to set the record straight and in this ambitious tale of a village invaded by naive American soldiers, he illuminates and entertains with his typically humanistic eye for people of all cultures, and the dark imperialistic inclinations of Western democracies.
It is always difficult to tackle a war on film equally and fairly. Each side has its own interests to protect and uphold. Everyone regards the other as an enemy against them. There will be losses from all sides, direct and collateral. Yet, in the end, no one really wins. In “Amigo” by veteran director John Sayles, attempts to show all sides of a multi- dimensional conflict that was the Philippine-American War.
The film brings us back to the turn of the previous century, 1900, when Spain just ceded the Philippines to the USA. A group of young American soldiers under former architect Lt. Compton (Garrett Dillahunt) take control of a remote village called San Isidro. Trying to maintain some semblance of normalcy in his hostaged neighborhood was the barrio captain Rafael Dacanay (Joel Torre). There was also the Spanish friar Padre Hidalgo who continues his churchly mission, while interpreting for the Americans. On the other front, we have the Filipino revolutionaries who camp out in the jungle, led by Rafael’s brother Simon (Ronnie Lazaro).
So we can see here a complicated web of intersecting conflicts that Sayles weaved for us. This was presented in a way that the audience can see the way each of these groups thought. The dialog went from English to Tagalog to Spanish and the occasional Chinese, so everything was seemingly told “in their own words.” It will be very interesting how this movie will be viewed by audiences represented by the involved parties. While the story had a slow progression at the start, by the time it reached the climactic scenes, the suspense and tension was electric. The ending though was a bit awkward in my opinion. But definitely, the audience, especially the Filipinos, will identify with the conflicts within the tragic character of Rafael, who was caught between keeping the peace in his barrio, and his brother’s cause for Filipino independence.
Joel Torre properly captures Rafael’s essence and plays him with fervor and passion. Of course, with all the rather hammy acting of the unknown foreign actors behind them, the talent of Torre and the rest of the veteran Filipino cast (notably Rio Locsin as Rafael’s religious wife) shone right through. The one known American actor Chris Cooper was in a one-dimensional villain role as a war freak American colonel. As the friar, Yul Vasquez seemed to be more American than Spanish, as he even had a forced Spanish accent. But I do congratulate him for his very good Tagalog speaking. I’m not very sure if it is an error, but I noted the Chinese characters (who were apparently there for comic relief) were speaking in Cantonese, but the predominant Chinese dialect in the Philippines should be Fukienese.
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Overall though, this is a very good and thoughtful film about a war that had not been tackled before in Hollywood before. To his credit, American John Sayles directed this movie as if he was a true Filipino. He was successful in telling us his story from the Filipino point of view. He was even able to inject some vignettes of Filipino rural culture with scenes of a fiesta, a funeral and cockfighting. Filipinos should really go out and support this unique motion picture.
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By admin, November 16, 2011 10:44 am

There are a number of video game systems on the market, but if you are looking for a game console that also can be used with a home theater entertainment, then the right choice has to be the Xbox game console.
Often it is the situation that children will want to play games during the daytime on holidays and before bedtime during the week, whereas parents will want to watch films at night before going to bed. Therefore, the two age groups need not clash often with their use of the home theatre system.
Therefore, if you can get a device that satisfies both the roles of playing games and playing films, you can save some money. The Xbox game system fits this function, because the Xbox is one of the new generation of video game boxes that can also play films on DVD or whatever drive format.
The Xbox is really a very hi-tech article of apparatus, something that non-game players may not have known. It meshes easily into a home theater system because it has wide screen video capability, HDTV screen resolutions and Dolby Digital and DTS sound support, making it a ideal home theater set-up component.
The Xbox is also a good looking piece of kit, which will match any existing black home theater equipment you might already own. It does not look like just a plastic toy.
It was developed by Microsoft and has a sturdy, stylish look. The Xbox’s case is black with an X on it and a green Xbox logo similar to a jewel.
The Xbox is essentially a cut-down computer as it has numerous parts of a personal computer like an Intel processor, NVidia graphic chips and an internal hard disk among others.
PC’s are general purpose tools, whereas the Xbox is intended for playing DVD’s in more ways than one. In other words, it is a dedicated computer. It is dedicated to the task of playing DVD’s and it does it incredibly well.
However, it also has four controller sockets in the front of the box for connections and it has an Ethernet socket for multi player games that allows other gamers on the Internet to take part in the action.
The Xbox console includes as standard: the controllers with a 9 ft cable, a regular AV cable, and an AC power cord. It also comes with a DVD loading tray and a multi signal audio-video connector for easy connection to televisions and other home theater equipment.
The Xbox will transform the manner you think of games and how you play them, because it is so committed to making interactive games a reality and as exhilarating as they can. Games are written particularly for it such as the Dead or Alive series and the Halo series too.
However, their are sports games to be had as well such as football and Formula 1 motor car racing. The graphics, sound and overall reality are fabulous. Finally, for parents who are worried about what their kids are watching, playing or doing, there are parental controls built into the Xbox.