Bollywood hottie John Abraham can’t remember the last time he had taken a break. And though the actor’s planning to take a few days off later this month, he says it will be a working holiday. Films apart, keeping him busy is his production house that’s gearing to foray into filmmaking. But fresh off the success of his latest release and another hit earlier this year, the actor admits that it’s been a good year — professionally. Personally, it’s been no different, as John seems to have apparently taken his friendship with good friend Priya Runchal to the next level — the two have been seen making public appearances as a couple of late. In a chat with DNA, the actor gets candid about his future plans:
You’ve had two hits this year — your recently released comedy and the action thriller Force. What are you more comfortable with?
Well, action’s always come easy to me, so it’s something I’ve always been comfortable with and can identify with the Action Abraham tag. As far as comedy is concerned, I do feel that I’ve evolved a great deal.
What do you prefer — your action image or sexy tag?
The action image is sexy (laughs).
Mainstream masala entertainers seem to work better for you, as compared to your experimental roles…
Whether those films work or not, they’ve all helped me evolve as an actor. But I know how important a hit is to continue doing the kind of films you want to. But yes five finger shoes , for now I will leave those films to my production house.
Is that why almost all your films in hand now are action thrillers or comedies?
No, that’s actually just co-incidence that Race 2, Shootout at Wadala, Housefull 2 and I, Me Aur Main… all fall under these two genres. But what I am really keen on doing now are action comedies like Rush Hour.
Would you want to remake the Hollywood flick?
Certainly. In fact, my production house is looking at acquiring the rights of several international films, not just from Hollywood, but from across the globe as well.
Two hits and a production house under your belt…
Yes, it’s good to end the year with the aftertaste of success (laughs) and on a happy note. But I’m more excited about the year ahead now.
What about your personal front. Will we see you settling down soon?
Yes, marriage is on my mind for sure, though I can’t say how soon yet. To be honest, I think I’ve been kind of callous about these things in the past, but now I want to maintain the sanctity of my personal life and fiercely guard whoever’s in it. I am not shying away from commitment, and I do want to see myself in that settled and serene personal space. I’m moving towards it, but it’s not something I want others to decide for me.
THE Twilight Saga: Breaking Dawn – Part 1 movie is the penultimate entry in the popular movie franchise based on Stephenie Meyer’s books.
Lovers Bella (Kirsten Stewart) and vampire Edward (Robert Pattinson) finally get married but news that Bella is pregnant isn’t met with traditional joy as her unborn child threatens Bella’s life and the future of the Volturi vampire coven and Quileute wolf pack.
Well, I was big enough to hold my hands up and admit that after a horrible experience watching the first two films in the Twilight Saga, I actually enjoyed the third entry; last year’s Eclipse.
Breaking Dawn – Part 1 is a notch below Eclipse but avoids the stench left by the earlier movies (sorry Twi-Hards!).
They’ve gone down the Harry Potter route of splitting the last book into two movies, with Part 2 coming our way next November.
It’s a real up and down film with some flashes of genuine brilliance… and cringeworthy moments.
Bill Condon (Dreamgirls, Gods and Monsters) makes his series debut in the director’s chair (he’ll helm Part 2 as well) and brings some visual style to this entry.
An Edward flashback sees him sitting in a cinema watching Bride of Frankenstein (a clear nod to Twilight’s central relationship) and a red and white-bathed wedding dream sequence is deliciously devilish.
Bella and Edward’s wedding provides the necessary “aww, that’s lovely” cutesy moments (Bella arm-in-arm with her dad) and very funny speeches from Charlie (Billy Burke), Emmett (Kellan Lutz) and Jessica (Anna Kendrick).
So watching Edward watch Bella walk down that aisle, the adoration in his eyes, the relief when she says “yes,” the kiss that seals their union — quite honestly it doesn’t seem like acting per se (if it is, then it’s one of his best performances). And I won’t even go into the whole honeymoon night sequence, or the way the actors’ on-screen “chemistry” is being marketed, or the mixed-messages it sends to girls about their first sexual experience.
But that’s not the film’s real problem. What Meyer did so brilliantly in the book (or at least really, really well), and what Melissa Rosenberg’s script fails to do, is to mine all the dramatic potential of the symbolic implications of immortality.
The book gives over quite a few of its 756 pages to Bella’s struggle with the high price of dying to live forever, especially for her parents, and Edward’s guilt about it. And there is barely a mention of the provocative abortion debate — should the vampire-human hybrid created during the honeymoon be “removed” before it kills Bella?
For conflict, we’re left with Bella in a few moments of contemplation and consternation — which requires very little from Stewart, an actress capable of so much more. The rest of the tension building is left up to Jacob and his werewolf issues. He goes postal when the wedding invitation arrives, hackles raised, lots of growling, disappearing for days, so that’s a real nail-biter …
For those keeping score, “Breaking Dawn” is missing the interesting indie edge that director Catherine Hardwicke brought to the first film. It does not flat line as badly as the second, “New Moon,” which would have died without the werewolves’ bite. It loses the brief emotional uptick of No. 3, “Eclipse,” which saw the cast blossom into actual actors. So in the “Twilight” pantheon, “Breaking Dawn Part 1″ is at best a draw. Hopefully they’ll fix what’s wrong before next year’s finale, because I really can’t take another broken heart.
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If he’ll cameo in Freddy’s Dead: The Final Nightmare, he has to cameo in the big screen version of 21 Jump Street. It’s the law.
Johnny Depp got his start on the Fox series in the 1980′s before trading it all in for pirate roles and French acid. Speculation was that he would appear in Jonah Hill’s film in some role but it was always up in the air whether the star would find a way to fit it into his schedule. Now it’s official.
There are no details on just what his cameo will entail, but I assume it features Depp alone at a stop light when Peter DeLuise approaches asking for a hand-out. Depp then carefully locks his door and just stares forward. Turn green, damn you! Turn!! (Coming Soon)
There seems to be so many Jokerpics around at the moment, you could probably make a flick-book version of The Dark Knight right now if you wanted. Not that we’re complaining, we love the Clown Prince Of Crime, and we’ll take any opportunity to gaze at his haggard gob.
The latest shotcould well be the most atmospheric yet, looking like it’s been ripped straight from the pages of Gotham Central, DC Comics’ take on The Wire. Anyway, enough geekery. Go to cinematical for more shots, including Bats on his new Batcycle. Sorry, BatPod.
Oh, and while we’re on the subject, our red-lipped pal has just put up another viral site, if you’re interested
Hip deep in nappies, missing all your favourite TV shows and never sleeping – most new parents dont make plans much beyond the next feed but Tom Cruise is still hoovering up projects for Cruise/Wagner.
Cruise and his producing partner Paula Wagner have optioned a New York Times magazine article that tells the tale of an Army commander in Baghdad who resigns after his troops cause an Iraqi civilians death.
Lt Col Nathan Sassamans story was laid out in Dexter Filkins article, called The Warrior King. The script is being penned by playwright Stephen Belber, who has scribbled for Denis Learys award-winning show Rescue Me.
No word yet on whether Tom will take on the lead role.
Director Kaz Kiriya offers his take on the Japanese legend of Goemon, a Robin Hood-like figure who robbed to the rich and gave to the poor before… well, why spoil the movie? Here’s a teaser Vid:
Check out the Break Trailer Page for More Hot Vids.
Director: Kaz Kiriya
Cast: Yosuke Eguchi, Takao Osawa, Ryoko Hirosue, Jun Kaname, Gori
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